Saturday, 2 July 2011

Babel written by Michael McGreevey & Naren Shankar and directed by Paul Lynch

What’s it about: A virus that makes the station personnel talk nonsense. No seriously.

Single Father: Sisko’s quiet approach to command is pretty dull in this episode and he only registers when he shows concern towards his son being infected.

Everyday Engineer: In a couple of minutes footage we get to see just how hard O’Brien is working his butt off to try and keep the Station running. I wonder if he has daydreams about hanging out in the transporter room on the Enterprise? What I love about his character is that even when he is in a grumpy bastard of a mood he is still written and played with a great deal of humour. Colm Meaney is a likable guy and as such so is O’Brien. His first slip of aphasic language is an odd moment. He tells Sisko that Keiko is fond of Jake but because Sisko questions this it almost seems as if he has said something improper. I’d love to know what O’Brien said to Kira when she joked about the broken turbolift (I bet it was full of swear words!)

Unknown Sample: Quark is such a crafty character its no surprise that Odo sees through his sudden luck at having his replicator fixed. Its interesting to see that once he is taken out of comfort zone of security and has a station full of lives on his hands he almost falls to pieces.

Community Leader: In the space of one episode Quark has gone from doing fantastic business to it being practically non-existent with Odo commenting on both. I guess that’s the way it goes in the hospitality industry. Security verification never seems to be a problem for this Ferengi; he just pulls out his isolinear rods and gets snooping. He lures Dax through his door with a double whipped Idanian spiced pudding. The scene where he is making sure his less fortunate customers aren’t faking the illness to prevent paying their bar bills is hilarious – Quark really is a wonderful scene stealing character. Look at him swaggering into Ops and offering his help to Odo, he is loving this (and his ‘I must have witnessed the procedure hundreds of times’ is great).

Sparkling Dialogue: ‘Rom’s an idiot, he couldn’t fix a straw if it was bent.’
‘You. Gold. Owe. Me!’
‘Bread the arrive seen earlier!’

Dreadful Dialogue: ‘I’m holding you personally responsible if anything turns up missing’ – Odo developing his use of the oxymoron.

The Good: Straight off we visit a cargo bay, Ops, a science laboratory and a corridor – this really does feel like a large, working area teeming with activity. It’s only a small detail but I love the shot of the fluids running through the circuitry. DS9 really knows how to stage action and the gripping final set pieces is all flames, smoke and explosions.

The Bad: Colm Meaney gives all he’s got to make his nonsense speak as funny as possible (and I did laugh at ‘Simple hesitation!’) but really, this script and premise would be thrown in the trash in a few seasons time. Its one of the early DS9 episodes that is trying out a TNG premise to see if this sort of thing will work. There will be a couple of other examples as we work our way through the first season (Move Along Home, If Wishes Were Horses & Dramatis Personae) but they would soon peter off as DS9 develops its own identity. The fella playing Jarheel is able to send you to sleep with his relaxed delivery. Even DS9 isn’t above having a duff punchline at the end of the episode but at least Colm Meaney has the guts to look embarrassed by it!

Moment To Watch Out For: There is a pan across the Promenade that ends on Jake where you can see that the upper level is unfinished. The producers did not have the budget to have a two storey set like this in the shows first season and it is interesting to see it displayed here so bold facedly. In the next season both sides of the Promenade are walkways with shops and lifts and lots of activity.

Orchestra: The music is really exciting in the finale as Odo struggles to explode the mooring clamps in a race against time sequence.

Result: Imagine if the crew had been wiped out by the aphasic virus? What an embarrassing way to end the series! Babel proves again that DS9 has better luck at dishing out these naff Star Trek premises because its core of characters is strong enough to provide some entertainment when the plot fails to do so. You’ve got Odo panicking when the Station is his responsibility, Quark causing a whole lot of trouble but redeeming himself by coming through when the crisis needs him and Kira providing her own unique solution to curing the virus by infecting the man who created it. So now we’ve done the virus and the murder mystery plots, can we get on with something more interesting now? Disposable but fairly watchable especially in the thrilling final ten minutes: 6/10

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